3D-Pangel

What is the difference in CPU speed between the new machine and the laptop. While the CPU is not used, it is still managing the flow of texture/model data from memory and/or the hard-drive to the GPU. Also how many PCIe lane are there for the GPU in both machines? Are they different? Also, are you rendering to the same resolution on both machines? Double check that the output rendering settings on both machines are the same. How many rays are being cast for reflection, refraction, etc. The images may look the same because you are rendering a lower fidelity image and viewing on a 14 inch laptop monitor while the PC is rendering a higher fidelity image being viewed on a 32 inch widescreen monitor. Not saying that this is what is happening, but you get the point. Just trying to think of all possible differences between the two machines. Dave

Okay....after a bit of a hiatus for business travel, I have now caught up on this thread.....and I seriously wish to get it back on track. I find that texturing works better if you model with quads and pay attention to keeping them consistently sized with good edge floor. But then again, that ONLY really matters if you are going to use SDS or can't use planar projections for texture mapping. My WIPs of choice tend to be with sci-fi hard-edge models. So I am always leaning towards hard edges, plates, etc. Ansel Hsiao is (IMHO) the master here. Pretty sure that in his type of work, he is not worrying that much about edge flow. His work is so polygon dense and intricate, that there must be some procedural tools and tricks he is using which involve Booleans or angular edge cuts that can't be resolved to quads without significant effort. Key example is all the hull plating (see below). Each plate is not simply a subset of a larger quad or a multiple of a smaller quad. There is no pattern and that is what makes it look both real (like built by real kit bash modelers from pre-digital days) and cool. I have seen some procedural techniques that do nothing more than subdivide larger quads into smaller quads, but every quad has the same ratio of length and width. That makes it look like it was made by a computer and therefore not very cool. Also, each plate is separated by a small gap. Is each plate a separate object stacked on top of each other or are they connected by ngon's and tri's? If they are separate objects, then C4D will choke on them if you using them at the levels shown in the image below. If there are all connected using triangles and ngons, the texturing work will be a challenge should you want anything other than a flat color. Honestly, I can't wrap my head around how he can produce so much detail in such volume (yes, I know he is kit bashing his own models, but still amazing given the amount of work he has at his site). So I would imagine that RandomFlow in Blender can create this type of hull plating, but how does it import into C4D? Is it an unusable mess of triangles? I would love for Ice (not ICM😀) to post the FBX export from this post on his exploration into RandomFlow so I that I can look at how to texture it in C4D. Is there a better Blender plugin for this type of work than RandomFlow? If RandomFlow FBX exports are an unusable mash of triangles, then is our only hope is run the FBX import through Zremesher? If so, what are some good tips for getting optimal results out of Zremesher (eg. close to the original shape without creating infinitesimally small quads)? That could be a whole other thread: "How to go crazy with Booleans and still end up with a useable model of Quads using Zremesher" Or....is there a plugin or DCC app that has boolean tools or plugins which ONLY create quads? Or would it be easier to hunt for unicorns than hope for this? Dave

Vector, Amazing work (as usual). To put it in perspective, all the comments are NOT on how the horse was modeled (which is exceptional) but rather in trying to match a cartoon character put together by the masters of cartoon characters. So by no means an easy task. Did you change the eyes too? In the first post they are a bit too forward (like Maximus suffers an eye thyroid problems). But in the subsequent posts, they seem to match the cartoon reference photo with the exception that more details under the eyes need to be added (as Cerbera pointed out). For example, to build on what was said before, would this be a bit better dialed in if you extended the bottom eyelid more foreward than the top eyelid (reference orange lines below): But with all that said, if you stopped now it would still be an amazing piece of art. Dave

So how did you scan her? Did you walk around her while holding the camera at a fixed angle or did you have to do two passes at different angles to get all the information on areas where there are undercuts (like under the chin, ears and nose). I would be interested to know how many photo's it took and how close you needed to be to the subject to get all those details. Also, how did you explain transferring your girlfriend's likeness to a different base mesh? I would imagine that was a touchy conversation. "No dear, I am not trying to change the way you look. This is an exercise in Houdini only". Hmmm......sounds like a no-win discussion in my book. 😆 Dave

The entire design of the Object Manager (which extends itself to the tag and material management systems as well). Honestly, that is what separates C4D from other programs in terms of ease of use (IMHO) and what keeps me from going deeper with Blender and pushed me away from modo many years ago. Also, for very large scenes, I can have two object managers which is extremely helpful when you want to start organizing things a bit better. Now, I have not compared C4D's OM to other programs (Maya and Houdini in particular) so if there are elements of scene/object management in those programs that are better than C4D's, please speak up as I would love to hear them. Dave

To really get nit-picky, are there any restrictions on shaders/textures where larger poly models are baked down to 2D textures or use the wParallax plugin for Octane to create full interiors with just 6 polygons. Dave

Dr. Strange and the Multiverse of Madness will be streaming on Disney + on June 22 in the US. Saving my big screen movie dollars for Top Gun (a good date night for the wife and I) and Jurassic Park Dominion (the dinosaur animation in that extended preview just had me hooked). It just seems that amazing watershed moments in VFX/animation are occurring at an increasing rate....almost exponentially. Right now, they seem reserved for the big screen as they have the budgets to produce them but I am seeing equally amazing work on the streaming platforms as well (Love, Death, Robots as an example). When Saturday morning kid's programs start to produce movie quality effects that successfully cross the uncanny valley, then I would say the only thing left is holographic projections for those who need to up their eye-candy habit. Dave

Igor, Your skills with Houdini are growing at an exponential rate (judging by some of your work). I visited your Polymarvels YouTube page to get an idea of what videos have already been made before I posted a reply. So apologies if some of my suggestions are redundant to what you have already created. I think it is fair to say to that not everyone get's Houdini immediately upon opening the interface. It is not like C4D where you can just look at the UI and things start to make sense. Even when guided by excellent beginner tutorials, there is always a bit of a struggle for the beginner. I think you even posted that there was moment for you when everything just "clicked" and that prior to that, Houdini was a struggle. So is it fair to say that to learn Houdini, you need to first "un-learn" what you know about other DCC apps? If so, I think a few tutorials going into how Houdini's approach is different than other DCC apps would be helpful. I would imagine that these tutorials would be high level overviews of Houdini's approach and how that approach is different than C4D's approach. If Houdini's approach is different for modeling, texturing, rendering, etc. then a tutorial on how each approach is different in these key areas would be very helpful. I know project-based tutorials for beginners are always the best way to learn, but that is like teaching someone how to spell when they are still trying to understand the alphabet. So (IMHO), I think Houdini requires a more basic level of tutorial beyond understanding the interface and the individual tools. I hope this helps. Dave P.S. How come you don't have a link to Polymarvels in your profile page? I looked for it but could not find it. Did I miss it? I just got in from Vietnam last night at 1:00 AM so I could very well just be brain dead and missed it.

The design of the Core4D forum is like C4D’s UI: Easy to use and intuitive. So much so that you take it for granted and bristle in frustration when other forums aren’t as pleasant to use. So props to you Igor! Also, I 100% agree with your plans. Ideally you would also look at more than just full DCC applications like Blender or Houdini as specialty apps like Substance Painter, Vue or even Moi could be considered as valuable tools that compliment your work in C4D. But I understand that for every new branch topic that gets added to Core4D requires a subject matter expert to serve as moderator. Dave

For me, the real value of the connect object is that it allows me to model large models in sections. For example in this WIP there are 22 bays within the DS wall but only 3 bay sizes. So only 3 bays were modeled (1 for each size) and the rest were instances and everything was then positioned were I wanted them. But to create the outer DS wall that all the bays are bound to pretty quickly, it was an easy task to place all instances and objects under a single connect modifier and use the bridge tool to create the DS wall So the connect modifier is a pretty handy tool for managing the creation of large objects by doing things in sections, then binding those sections (or their instances) together with connect into a new “single surface” object which you can then continue to treat as a single model. Dave

Interesting points and insights. I’ve never really explored beveling with custom profiles due to the heavy polygon count that can be created and the potential for corruption when beveling a custom profile along acute interior angles. I would love to see how UV’s look on the last example Icecaveman provided. Nevertheless, what is the better approach: bevel with custom profiles or model with edge loops and apply SDS? I am thinking the latter as it is easier to UV map but would like to hear other opinions. Dave

Igor..... I think we need to take a page from the Maxon playbook and embrace NEM - Negative Enforcement Marketing. If people still want Core4D for free, they can have it but they will not get all the benefits of paid subscribers. Some ideas of negative enforcement techniques to get people to embrace subscriptions: Do whatever you can to bring ad revenue to Core4D. For those members who contribute or pay the 10 euro's a year, they do not get ads. Allow ONLY subscribers/contributors to post/view to certain threads. Hot new thread on how to Poach Blender? Sorry...limited to subscribers only. Forum color schemes: Non subscribers only get yellow text on a white background like this and everyone else gets whatever colors they want non-subscribers only get Point 8 font size. Non subscribers must first listen to a 3 minute ad from the people that bring you Zupoo every time they join the forum - because colon heath is important and we all seek relief from toxic poop. And after reading some of the posts on this thread, I am pretty convinced that there are a lot of members struggling with toxic poop in their system. Non subscribers get different spell check capability: "Nodes" becomes "nose". "Booleans" becomes "bowling". "Vertices" become "vertical". "Topology" becomes "topiary"...you get the idea. Well....maybe on the first item is a good idea. 😄 Dave Dave

Mr. McGavran, Your voice here is bigger than you may imagine. To post something that says you must not comment implies you have an opinion but are reluctant to share it for whatever reason. If you feel the survival of Core4D is not worth 10 euro's a year, then say so. If you feel that the Core4D should charge more for all the value they bring...then say it. If you want to say that this classifies as a "subscription" and want to make comparisons to Maxon One subscriptions, than say it. While I have not had the time to read the entire the thread (currently on business travel in Vietnam --- awesome photo's coming), maybe that comparison has already come up. If not, the forums response may surprise you should you decide to broach that subject. I hope the discussion turns out to be constructive one -- and in a good way --- on the value that some subscriptions can bring. With the acquisition of Z-Brush and the improvements to R26, you may find that they are more supporters than opponents to whatever views you could provide. Point being this: your opinion matters. But to just post something ambiguous prompts us to take your view as negative - which helps on one. Dave

For those old duffers on Core, anyone around long enough to remember 3DKiwi's Spirograph tutorial using Xpresso? This thread fits right in with that. Now, I don't think that tutorial still exists (maybe the admins could dig it out archives as nothing came up from a quick search) but a quick google search did yield this discussion with examples on Reddit. There is also this Core4D thread from 2017 Dave

So will Rick Barrett still be doing his podcasts from his "man cave" with the Maxon logo in the back? Very gorilla style. I did look up the old villa on Google earth some time ago. If not mistaken, I think it had a pool (not sure). That place had charm to spare. The job posting were for some very interesting positions: senior modeling developer, software developer for animation within C4D. Two real time GPU rendering positions for both C4D and Redshift. I thought I saw another position for a GPU simulation position, but that may have been the last hiring go-around plus we are seeing the new GPU cloth and rope physics in R26 (so that was a good hire!!!). Well enjoy Bad Homburg and its coffee shops. Hopefully you have access to good food as well. Dave

That is awesome! You are now an award-winning animator! Very few can say that. Dave

Already in the gutter and awaiting your arrival!!! This is aweseome. Dave

Wow....29 positions and in all areas. Given that the entire tech industry is experiencing high rates of attrition (18% on average), you have to wonder if Maxon is experiencing that as well. Prior to Covid, people needed to live where they worked which limited your desire/opportunity to switch jobs as that switch could require moving to a new town/city/state/country as well. But Covid proved to employers that people can be just as (or even more) productive working from home, so they are now rolling out the "hybrid" work model (some WFH, some come into the office --- Zoom/Web-Ex keeps everyone connected). This works very well for the software industry because those roles are all desk jobs and meetings. The upside to all this is that you are no longer limited to finding good paying jobs near home. You can now find them anywhere and are no longer required to move if you get them. Thus, the high attrition rate in the tech industry (especially software companies). Don't like your job, your boss and/or your current pay? Well, then look for a higher paying job somewhere else! You have so many more opportunities when no moving is required. It also allows people to leave high cost of living areas but keep them same job as well. Plus, companies no longer need as much office space. So how many farewell lunches are being had at Maxon these days? Or is this all due to growth as in another thread, I posted that based on Nemetschek's 2021 annual report, you can easily calculate that Maxon revenue grew close to 28% over 2020. Dave

BTW: I found that addon from long ago on make port holes that originally got me thinking about using Blender add-ons to supplement my C4D modeling Window Generator - Blender Market The geometry it creates actually looks pretty clean and should import to C4D pretty nicely (almost all quads....almost)

Random Flow looks every interesting. The starter tutorial by the developer presumes a strong knowledge of Blender as he spends no time explaining his keystrokes, though he does post them on the side as he works through the steps. Searching for other tutorials also presume a knowledge of Blender modeling basics, so that is probably where I need to start first. Fortunately, I have the Blender 2.8 Encyclopedia and was proceeding chapter by chapter through that course when I could find the time. Looks like I will just need to fast forward to basic modeling. Dave

My apologies. It is quite evident the amount of time you are putting into this thread and I selfishly defaulted back to my C4D roots in that comment. Dave

This is turning into my new favorite thread (but second only to in-depth modeling discussions from Jay....sorry). Honestly, I like this implementation method of variable spline extrusion (direction and length) as it is very direct. C4D's methods involve additional modifiers and steps. These controls should be part of the standard extrude function within C4D. Points to Blender! Dave

It certainly is and an asset to the community. So my sincere thanks. There are some very affordable but very specific Blender modeling plugins that I have looked at for Sci-Fi modeling that add port-holes (as scene on Star Trek models) and hull plates. I looked at them many years ago so I can't remember who made them. But I was thinking along the same lines as this thread at that time: can I get some pretty specific modeling capability into my C4D toolset by using Blender plugins. So I did some preliminary trials of just moving models to-and-from C4D/Blender at various stages of the modeling process: without textures and then with textures. I found issues with UV corruption, triangles, etc. when I made changes to the geometry in Blender and then brought them into C4D. Not sure if that was user error or not at the time (again it was years ago) but your recent examples look pretty good. So have you tried to move things back and forth between the two programs both with and without textures or is this a one way trip: Blender to C4D only? Are there certain Blender export settings that I am missing? Does the OD_CopyPasteExternal just made that whole process once-click-simple? If you haven't already done this let me know and I will dive into it when I have more time and report back. Dave BTW: This may be a good resource site for this thread: Free Blender Addons in 2022 - Blender Hub

Couple of points: For those who missed the first Avatar on the big screen, it will be re-released in theaters on 9/23/22 in the US. Not sure what the release dates will be outside of the US but look for it in the September/October time frame if interested. I have always been an admirer of James Cameron ever since Terminator and Aliens and try to see his movies when they first come out. I don't want to be swayed by the opinions of others and form my own opinion by seeing it as soon as they came out. So, comparisons to "Ferngully in Space" or Pocahontas were not influencing my opinion. So, with no perspective other than it was a James Cameron movie and he tends to deliver the goods, I saw it in IMAX and in 3D and it was quite the experience. I just let the world and the story carry me away and there were only a few scenes where the CG portion of my brain started to take over (the leap off the waterfall and Sully's struggle in the water just needed to be appreciated for how well the fluid simulation was done). For the rest of the movie, I accepted it as real in that nothing was done poorly to pull me out of the story....that alone is quite the achievement for 2009. Whatever everyone else's opinions may be, you still have to accept Avatar and appreciate it for it being a watershed event for the industry. Relative to fluid motion capture, Cameron saw what they did for Aquaman and wanted no part of it. I would agree as the underwater effects did look fake. That was one example of where the VFX pulled me out of the story. Believe it or not, your facial tissue has its own buoyancy, and your face will look slightly different under water. Again, one of those subtle details where you will not notice when it is there, but only when it is not. Well, that is what was missing from Aquaman. Their faces did not read as being under-water. So my brain immediately went "ahh....dry for wet...let me focus on the CG hair now" and I was no longer following the story. One thing which I kind of chuckled at was how Avatar was praised by the environmentalists. While I agree with the environmental message, my familiarity with data centers kind of kicked in when I thought of the massive render farm Weta had to build to get this movie done. I think they needed to grow it to over 4000 blades, each easily requiring over 200W of power. So 800 KW per hour just for the blades, and this does not account for all the support systems (cooling, networking, storage). So they said that just in the last month, the entire render farm was running non-stop. That alone, not accounting for the fact that this whole movie required that render farm for years at various levels of utilization, meant 24 Mega Watt hours of power. As 1 mega watt hour equates to 1300 pounds of carbon pollutants, not to sure the environmentalists would have been happy to hear that Avatar resulted in over 15 tons of carbon pollution in just the last month alone. Dave