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Cerbera

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Everything posted by Cerbera

  1. In the material, find Basic tab, and 'Open Node editor' therein. CBR
  2. And no SDS with correction deformer so you can get to its points !! Hashtag: PluggingTheLoopholes. CBR
  3. Enable Redshift Menu in preferences / renderer / Redshift, and then it appears in that new menu in main toolbar. You can also get it via Shift- C (command manager), searching Shader graph for example. CBR
  4. I did NOT know that worked ! You learn something every day ! 🙂 CBR
  5. I have a couple of ideas. 1. Instead of using single lights - use 3 closely coincident lights, R,G, and B and vary the relative strengths of them, imitating the way LED lights behave these days... 2. Go old school and make a slowly rotating gobo-wheel offset in front of a white light. You could put a radial gradient of either gently transitioning, or hard defined colours you define in the transparent portion of this, and then Xpresso the rotation angles to lock into each colour, or set it to rotate to slowly shift round the colour wheel. CBR
  6. If you want a properly realistic result with zero distortion in the thickness of the strands of the metal meshwork then you really have to model that panel in that shape. But I don't think we do want that. In the real world a flat mesh is press deformed into the shapes required, so we should try and mimic the physical consequences of that, which will include some distortion of the perfect pattern, but no variation of wire thickness. However, because the curvature is only slight , or at least the bits where it's not slight are only at the very edges, and mainly hidden by the frame, I suspect the distortion you'll get with something like an FFD or Mesh Deformer might be OK to get you a decent result despite a tiny amount of thickness variation that will get introduced along the way. So, assuming this end section is likely to be made from a circular section of mesh, your first job should be to boole intersect a square section of mesh with a cylinder, and make that a single editable object. At that point you may be able to try soft selection to pull a nice curve out of the end section, or you can try it with less scope for human inconsistency with deformers, of which I think mesh deformer will be most successful, the cage object being a cylinder with about 6 cap segments. A mesh deformer, yesterday. On another note, you may want to fix the rogue triangles and near coincident polys that is making your main metalwork look scrappy round the edges, and I suspect we need some phong breaks there as well for truly clean, sharp cornering, especially if you are not using SDS. CBR
  7. In Cinema this sort of functionality is usually handled with the Takes system. CBR
  8. No, I think we can only have one of those. CBR
  9. Yep, that's we need to know, cos it changes in every version ! And now we need to know what type of RS materials the presets are for - are they RS shader graph (nodal) presets or RS (legacy) material presets, or presets for the new RS Standard Material introduced with S26 ? CBR
  10. Scripts are not run from there. I think you need Extensions menu / User scripts etc CBR
  11. Edit Profile, top right of banner. There should be field for DCC, in which you put Cinema and version, and Renderer, where you put RS and version. CBR
  12. I'm not going to answer any more of your questions until your version (of both Cinema and RS) are in your profile. This question specifically demands that we know both those things in order to be able to answer. CBR
  13. It's a bit confusing, because we can use the move tool to select all connected polys on models, yet the live selection tool doesn't do that. Whilst in the UV editor, double clicking with move won't select connected, but will do with live selection. Other complications around S24-R25 include a small bug where if the model was under active SDS then the d-click live selection in UV edit wouldn't work until it was disabled ! CBR
  14. I think that does work in all versions post 21.... CBR
  15. Well that's all very clever and reassuringly smooth.... for those of us without Houdini, can we have a wireframe screenie ? CBR
  16. No, it's not. I saw the word standard and jumped to the wrong conclusion. The new RS Standard material (which doesn't contain presets) looks like this... So whatever you have isn't that... How did you get that material ? CBR
  17. No it shouldn't. The new Standard Material isn't in R25. That's 26 only. If the video is showing R25 then it can't be the new Standard Material, which explains why the presets are there - it's the older RS material. CBR
  18. What you have there is the new RS Standard Material, which, in current versions does not have the presets like the old RS material does. I imagine they will add some at some point, and I have seen people make their own and store them using the presets system. CBR
  19. That was always going to be risk of using displacement for this, and is unavoidable using this method because the shapes you are displacing have nothing in common with the polyflow they are extruding from, which leads to that jagginess wherever they are counter-flow. We may have to go back to the drawing board on this one... CBR
  20. The control of that extrude will have to be image based if you want anything other than smoothing (which could be deformer based), so it all comes down to what blur type you use on that line.. CBR
  21. Yes indeed - I meant to suggest that in my first reply but forgot while I went way to log the idea ! - sorry 'bout that !! 🙂 CBR
  22. There is not, without moving those children first. I agree that is not the most intuitive of behaviours, but that is the way it works and always has done. Perhaps Maxon would be willing to change that - there is a modifier key free that could do it - we can use shift and alt modifiers to change where the new axis appears, which theoretically leaves ctrl free to do it without children... I will suggest it. CBR
  23. Hey Erin, welcome to the Core 🙂 May your learnings be excellent and your 3D's rewarding ! CBR
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